Not that I'm in the 3D crowd anyway, but it's a live-action movie shot in hand-to-God 3D, and those don't really come around all that often. The movie's got a cacklingly dark and demented sense of humor, it's unflinchingly violent, it's unrepentently vulgar, and the pace never eases up on the throttle. It's got geysers of blood, plenty of tits, a massive body count, a bunch of classic Detroit muscle tearing across the screen, and.why not?.Satanists. Instead, one of the panelists asked him a question: "Did you see Drive Angry?" In case the guy missed his point, he spelled it out for him.
When it came time for the Q&A section at the end, one guy in the crowd shouted "they need to stop all those fucking remakes!", I guess expecting that the three panelists on the stage would scream "yeah! Fuck remakes!" right back at him, and the crowd would pump their fists in unison, and then they'd raise him over their heads and crowdsurf him out of the room triumphantly or something.
The idea's that it was supposed to be a debate about which decade produced the mostĮnduring genre classics or something like that, but the panelists kind of shrugged off the topic and instead discussed what made different eras so unique and distinctive, not really seeing the point in picking a favorite. I was at Crypticon in Seattle last weekend, and one of the panels I went to was named something like "The Best Era for Horror".
#DRIVE ANGRY MOVIE OBOLUS COIN FULL#
"You're too late! You gotta know that, right? First full moon.she's dead, man! She's dead, and Hell's gonna walk the motherfuckin' Earth!"
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